#but interpret it however tf you want

[skhardwarevers1]

going back in time to me this morning and yelling at myself to not try and figure out sonic franchise lore

[4o4notf0und]

.

[kaustic]

noah kahan tiktok fans get a life challenge

[tonya-the-chicken]

What the fuck is wrong with this fandom?

THEY SHOULD DATE

[dootznbootz]

Odysseus was afraid the entire year on Aeaea in the Odyssey.

Content warnings: Rape, Sexual Coercion, Sexual assault, Sex Work, power dynamics, this will also be long as fuck as I talk too much. This is NOT a "Circe the Goddess Hate Post". I call her out but that's it. I tried to keep this neutral but still making a point (Let me know if I gotta put more)

Lots of lovely folks on here have written great essays on what Calypso did to Odysseus as it's soooo blatantly obvious there. It literally states how he cried every day and how he flinched from Calypso, very straightforward on how he was explicitly raped.

But I've noticed that a lot of people are always iffy about Circe's situation (understandably so, it's not so in your face.) She's usually always mentioned in the "Odysseus never cheated! He was raped!" posts but then the evidence is only ever given against Calypso, and then mentioning how you can't say no or disobey the orders of an immortal and how it was in exchange for freeing his men.

WHICH IS ALL CORRECT!!! But!!!

There ARE immortal/mortal couples who genuinely love each other. Dionysus and Ariadne, and Eros and Psyche are examples. Apollo and Hyacinthus. Psyche indeed becomes immortal eventually and in some versions, both Hyacinthus and Ariadne do too. But even while mortal themselves, their immortal lovers still remained respectful and loving towards them and definitely doted on them. There are definitely power dynamics at play here but there's some nuance.

Odysseus and Circe's relationship, however, is very different. We all know he slept with her at the very least once. And that was in exchange for his men being returned to humans. That was the only time it was explicitly stated. With Calypso, it tells you every night he was enchanted and slept beside her. It was the narrator speaking but Odysseus is the narrator now and it's his story. If you think he lied, this probably won't change your mind anyway.

But even if it was a one-time thing, (which isn't the only interpretation and I will have points that talk about others) then why did he stay a year? What was he doing?

I'm doing a deep dive into the year he spent on Aeaea based on evidence in Book 10 and then the beginning of Book 12. Step by step, and honestly I'm writing this for Tumblr, not as a thesis so I will be a bit more casual but still using sources. To me, it's very obvious that he was uncomfortable throughout the text simply based on the language that is used. But it's very subtle and not an outright statement of "He's been crying every day."

BTW, just so we're clear, this is not a "Circe is the root of all evil, etc." type of post.

This isn't meant to villainize her. She's an immortal being and in mythology that changes things. Everybody is morally gray. I genuinely think if we were to ask her feelings on it, she'd probably be like "Oh, yeah! Turned his men into pigs! Strange little man he was." I don't think she gave a flying fuck.

I just simply get pissed tf off when people think Odysseus was fine. It honestly disturbs me how often I'll go on other websites YouTube and see everyone call him a whore and a womanizer. It's sexism at its finest because 1.) "MaN AlwAyS wAnTs sEx" and 2.) women can't rape/coerce. THIS IS SIMPLY TO LOOK INTO HIS FEELINGS ABOUT IT.

This is also only for Homer's Odyssey, using different translations. If you want to discuss this, (I'd be happy to! Just be nice!) DON'T BRING UP ANY OTHER WORKS.

With all that out of the way, come yell with me 🤗

I've read multiple translations, as I know there's going to be bias depending on who's translating. And having done so, each one has basically the same situations described the same so that's nice for consistency. Also, there are some parts in the story that are vague and that we'll never have answers to.

Odysseus first simply sees the smoke from her chimney and then sends his men in, after drawing lots Eurylochus leads half of the men to check out the house. I mentioned here vaguely how the 2 immortals he sleeps with are both introduced while singing and weaving, which could be seen as an enchantment (which to me is most likely. They both possess magic and are goddesses). So I'm just gonna move past that. Just take a peek and come back or just know that enchantment was likely.

Next, I'll see people often joke on Tumblr about how

"Odysseus says that Polites is his best friend yet only mentions him once!"

I think Odysseus mentions his best friend, the one to jubilantly go in first, to show WHY he would go through with this. How much these comrades mean to him. That's his best friend, and there are approximately 20 others who are now pigs as well. Could you knowingly leave one of your best friends to live a life like that knowing you could've done something?

[...]Circe—and deep inside they heard her singing, lifting her spellbinding voice as she glided back and forth at her great immortal loom, her enchanting web a shimmering glory only goddesses can weave. Polites, captain of armies, took command, the closest, most devoted man I had: ‘Friends, there’s someone inside, plying a great loom, and how she sings—enthralling! The whole house is echoing to her song. Goddess or woman—let’s call out to her now!’ So he urged and the men called out and hailed her. She opened her gleaming doors at once and stepped forth, inviting them all in, and in they went, all innocence.

(Fagles, Book 10)

In the Odyssey, it's never mentioned why she turns people into animals. I think they were turned into pigs because, throughout the Iliad and Odyssey, Odysseus is often associated with boars. His men are associated with him, therefore: 🐖 Piggy. From what we know, the lads were just eating her food. With how much Xenia and hospitality are a large part of the story, they probably thought they were safe. They were GUESTS. This is especially welcome after the Cyclops and the Laestrygonians. And it literally says "All innocence". They were simply naive.

Then Eurylochus runs back, so terrified that he couldn't speak at first. He then begs Odysseus to just leave the men behind. Odysseus has shown that he does TRY to save his men when it is truly not reckless to do so.

But I shot back, ‘Eurylochus, stay right here, eating, drinking, safe by the black ship. I must be off. Necessity drives me on.’

(Fagles, Book 10)

Then the famous warning from Hermes. I've seen folks bring this up when talking about this. YES, he is literally commanded by Hermes to not refuse her if he wants his men back in basically every translation. It sounds like Circe was warned as well. When? We don't know, but it sounds like Hermes didn't pick "sides" here.

Strange that he was still like, "Sleep with each other" to both, because he could've been like, "Circe, there's this guy named Odysseus. When he comes to this island, change his men back." But who knows, maybe it was Circe's idea from the beginning and Hermes went along with it. Just food for thought.

Now here’s your plan of action, step by step. The moment Circe strikes with her long thin wand, you draw your sharp sword sheathed at your hip and rush her fast as if to run her through! She’ll cower in fear and coax you to her bed— but don’t refuse the goddess’ bed, not then, not if she’s to release your friends and treat you well yourself. But have her swear the binding oath of the blessed gods she’ll never plot some new intrigue to harm you, once you lie there naked— never unman you, strip away your courage!’

(Fagles, Book 10)

But that doesn't explain why he was there for a year afterward! Nor if he himself was okay with it, which is what I'm trying to delve into as he wasn't.

Also the knife thing? She's still immortal. It was meant to startle her. Her dad is Helios. Odysseus would've been toast, literally.

Also note this exchange wasn't a "Yippee! Hermes says I'm going to get laid!".

...just approaching the halls of Circe, my heart a heaving storm at every step, paused at her doors, the nymph with lovely braids— I stood and shouted to her there. She heard my voice, she opened the gleaming doors at once and stepped forth, inviting me in, and in I went, all anguish now …

(Fagles, Book 10)

Another translation by Ian Johnston, (they all say the same thing essentially but trying to make a point.)

I continued on to Circe’s home. As I moved on, my heart was turning over many gloomy thoughts. After I had walked up to the gateway                                                of fair-haired Circe’s house, I just stood there and gave a shout. The goddess heard my voice.                      She came out at once, opened her bright doors, and invited me inside. I entered, heart full of misgivings.

HE👏WAS👏SCARED! The tone is solemn and suspenseful. He was just told that without Hermes' help with the root, he wouldn't be able to survive and bring back his men. Circe was dangerous.

He made her swear not to harm him.

Straightaway she began to swear the oath that I required—never, she’d never do me harm—and when she’d finished, then, at last, I mounted Circe’s gorgeous bed …

(Fagles, Book 10)

Please note that she NEVER promised that to his men. His comrades did NOT have moli in their systems. He had no way of truly ensuring their safety in any way from Circe.

He then refuses to eat or speak, literally "lost in grim forebodings". If he "just got laid", then why isn't he happy? Not many men can say that a goddess CHOSE to have sex with them. He did it to get his men turned back. It was an exchange. I don't think Circe is "Evil" so maybe it slipped her mind. Or yes, she could've thought, "Hey, I got what I wanted. He's handsome enough. Homer never shuts up about how hot this guy is He hasn't brought up the pigs yet. I'll just let this play out. Maybe HE forgot. I don't have to do anything." We don't know. But Odysseus probably felt like he got deceived.

"Hey, I did my part of the deal. I slept with you. Now do yours."

She pressed me to eat. I had no taste for food. I just sat there, mind wandering, far away … lost in grim forebodings. As soon as Circe saw me, huddled, not touching my food, immersed in sorrow, she sidled near with a coaxing, winged word: ‘Odysseus, why just sit there, struck dumb, eating your heart out, not touching food or drink? Suspect me of still more treachery? Nothing to fear. Haven’t I just sworn my solemn, binding oath?’

So she asked, but I protested, ‘Circe— how could any man in his right mind endure the taste of food and drink before he’d freed his comrades-in-arms and looked them in the eyes? If you, you really want me to eat and drink, set them free, all my beloved comrades— let me feast my eyes.’ So I demanded.

(Fagles, Book 10)

He doesn't trust her despite what she had told him that he should when they sleep together. He has figured out that while she will not hurt him, his men were not a part of that oath, the men he was trying to protect in the first place.

She is then moved by how they rejoice when they see one another again. While turning people into animals for funsies isn't cool and coercion is fucked up, I think she comes to see this group as not quite friends but I think she did find them entertaining in a way.

This is very strange but I've seen some folks say that since Odysseus was pissed at Eurylochus for still not believing him about Circe is proof that "Oh he was trying to defend her!". Which??? Uh, Eurylochus was literally questioning his leadership as a whole. Calling him reckless and shit. He is captain and he's the King, he can't let that shit slide. The text literally says "Mutinous". Also if I had to sleep with someone I did not want to especially if it was to save my friends and I got called names afterward I'd get fucking pissed too.

Only Eurylochus tried to hold my shipmates back, his mutinous outburst aimed at one and all: ‘Poor fools, where are we running now? Why are we tempting fate?— why stumble blindly down to Circe’s halls? She’ll turn us all into pigs or wolves or lions made to guard that palace of hers—by force, I tell you— just as the Cyclops trapped our comrades in his lair with hotheaded Odysseus right beside them all— thanks to this man’s rashness they died too!

They stay a year. Again it's never stated that Odysseus slept with her that whole time. You could interpret that. (Honestly, I feel Circe would get bored with him? She's a goddess, she's got more important matters than mortal men. And she definitely doesn't love him.)

His men DO have to bring it up that "Odysseus has forgotten his native land." Maybe they thought they could sneak out without her knowing??? I am fucking REACHING but hold on as Telemachus did because he knew Nestor would well, be Nestor and try to coax him with "Have a meal with us! Let me tell you about how badass I used to be in my youth." But to sneak away from a goddess? Without her permission? That won't end too well. Aeolus in the beginning kicked out Odysseus when he tried to ask for another bag of wind. If she didn't want him around, she could literally boot him out. While she didn't force him to stay like Calypso did, she didn't "release" him either.

We don't know if they've been asking for a long time. Odysseus does say to Circe that they have been begging him nonstop, but he could also be saying that to try and convince her. He's good at persuasion. I think while he knew he could rely on her for food, shelter, and good advice, he still didn't feel...SAFE with her. I think he was possibly avoiding her personally.

I think HOW he asks her to leave is important to know as well.

...but I went up to that luxurious bed of Circe’s, hugged her by the knees and the goddess heard my winging supplication: ‘Circe, now make good a promise you gave me once— it’s time to help me home. My heart longs to be home, my comrades’ hearts as well. They wear me down, pleading with me whenever you’re away.’

(Fagles, Book 10)

Throughout all of Homer's works, the characters grasp another's knees when they are desperate and are literally at the other person's mercy. Priam did when begging Achilles for Hector's body back. The man who literally killed his son and was defiling his body by dragging it around. Leodes grabs Odysseus' knees to beg for his life before Ody kills him. If he saw her as a friend, and not a captor, WHY DID HE FEEL THE NEED TO BEG IN ORDER TO LEAVE?! No one, who is in a healthy relationship, has to BEG for permission to leave. Or to "Break up", if you interpret them as still sleeping together.

And even Circe acknowledges that he is there against his will!

‘Royal son of Laertes, Odysseus, old campaigner, stay on no more in my house against your will.

(Fagles, Book 10)

[...]Odysseus, man of many resources, scion of Zeus, son of Laertes, don’t stay here a moment longer against your will

(A.S. Kline, Book 10)

This is probably another reach that you can ignore but the whole "they wear me down", could be trying to appease her. "Look, you're REALLY cool, it's actually my crew that wants to leave hahahah please don't kill them"

I mentioned before how Telemachus snuck away from Nestor but that was simply out of necessity because he needed to go home now. Not rest for the night. NOW. Nestor is just everyone's grandpa. Menelaus kind of talked more but Telemachus is very straight up in "Please I have to go now" and Menelaus immediately got things ready for him. He never has to beg and clasp his knees. Telemachus was never afraid. Menelaus is a fun uncle and Helen is your cool auntie.

Back to Circe! She tells him instructions for the underworld, they were in her bedroom. But that might've been the only way to speak with her. As even Penelope is usually away from the suitors when they are in her halls, Circe may have done the same. The text never states she played hostess physically. If she was hosting in the halls during the day, why did Odysseus wait until night to talk to her? He could've just asked her while she was on her throne in front of everyone. (He did so with the Phaeacians)

Or maybe he went alone because she only swore an oath to not harm him and so he didn't want his men near if she decided she didn't want to let them go. I could be missing something here so feel free to say something. Idk if this was a pride thing on how "I don't want others to see me beg".

She has info he needs in order to go home as well. She tells him to go to the Underworld.

She gave him new fine clothes and put on pretty clothes herself but that doesn't mean they had sex. Nausicaa gave him nice clothes as well but he never slept with her.

Then he leaves. Immediately. Not even doing a headcount as he didn't realize one of his men had died. (That was negligence on his part but he wanted out) He booked it, to the UNDERWORLD BY THE WAY. Circe even had to sneak the animals he needed for the sacrifice. Odysseus even basically said "She's a goddess. She can do things mortals can't" at the end of the book. And it almost feels...Numb? Solemn? Neutral? Gives a "It is what it is" vibe.

But Circe got to the dark hull before us, tethered a ram and black ewe close by— slipping past unseen. Who can glimpse a god who wants to be invisible gliding here and there?

(Fagles, Book 10)

She’d slipped past us with ease, for who can see a god move back and forth, if she has no desire to be observed?

(Johnston, Book 10)

She's a goddess. She has magic. She can do whatever the fuck she wants.

NOW ON TO BOOK 12!!! That was long! GET A SNACK AND WATER! LUCKILY THIS'LL BE SHORTER!

In Book 11, Odysseus swears, upon all his loved ones in Ithaca, to Elpenor that he'd give him a proper burial as he's been "unwept, unburied". So in Book 12, he sails back to Aeaea to fulfill his promise.

But you know what's funny to me?

He didn't tell Circe he was there.

He didn't even go to greet Circe himself. He sent his men to go get Elpenor's body.

The biggest clue that he didn't love/trust her is that if she was his "Affair partner" then why not go see her for "one last night together"?

SHE came out herself and pulled him aside to know what happened and then gave more advice.

I dispatched some men to Circe’s halls to bring the dead Elpenor’s body. [...]

Nor did our coming back from Death escape Circe— she hurried toward us, decked in rich regalia, handmaids following close with trays of bread and meats galore and glinting ruddy wine. [...]

But Circe, taking me by the hand, drew me away from all my shipmates there and sat me down and lying beside me probed me for details

(Fagles, Book 12)

In every translation, it talks about how he sits, and she lounges/lies down. That's not sex 🙃 In some translations, it even says he tried to be with his shipmates but she pulled him away!

So we lay down and slept beside our ship’s stern cables. But Circe took me by the hand and led me away, some distance from the crew. She made me sit, while she stretched out beside me on the ground. 

(Johnston, Book 12)

Then, she gives advice about the sirens, Charybdis, Scylla, and her father's Cattle. He tries to ask if he could save all his men. She scolds him for even thinking he could try. He again books it out of there.

I think we all know it wasn't "love". But I think a lot of people think Odysseus was willing and happy with whatever this was. "Friends with Benefits", if you will. I guess you could see it that way but I will say that makes me feel itchy with the whole power dynamic and fear. I don't think folks who have that arrangement have to beg on their knees to ask if they can leave though.

I mean the entirety of Book 10 gives me the vibes of "Laughing uncomfortably because you don't want to upset the other person". To just grin and bear it.

A lot of this was just putting the text here and picking it apart step by step. What you do with this is up to you. It's rambling while banging pots and pans together.

Maybe you see him as drugged the entire year and still sleeping together, as the moli "wore off". Even then, just because her magic can't affect him, there are plenty of natural concoctions that can be created that can affect mortals.

Maybe you see the entire year as sex work in exchange for shelter and food.

Maybe he was just alongside his men the whole time under her roof and was avoiding her after the exchange. After he got asked by his men to finally leave, he would start to walk up to that room only to freeze and turn around, thinking "One more day won't hurt. Should wait until I know she's in a sympathetic mood".

I beg of you, however, PLEASE understand that there was fear and coercion throughout his entirety on Aeaea. He wasn't staying to get laid. While there is so much going on and too many things that are left vague to really know exactly what happened, it is consistent that he was scared/numb. Lots of people go through with things they don't really want to do just to appease others. There are plenty of situations of sexual trauma where one person goes through something and the other has no idea the other person isn't okay. ESPECIALLY WHEN SOMEONE CAN HARM THE PEOPLE YOU CARE ABOUT AT ANY MOMENT!

Sexual trauma is a very complicated thing and while he was scared, he definitely wasn't as traumatized by her as he was by Calypso. Calypso was a torturous hell while Circe was a year of walking on eggshells, as he did still receive help from her and she even apparently taught him a special knot. Not comparable but I still think Circe should be acknowledged. As even Odysseus acknowledges Circe when talking about how Calypso held him captive, as @leynaeithnea and @akaittou have reminded me. Leynaeithnea's addition:

A. S Kline translation of the Odyssey, book 9 Calypso, the lovely goddess, kept me there in her echoing caves, because she wished me for her husband, and in the same way Circe, the Aeaean witch, detained me in her palace, longing to make me hers: but they failed to move my heart. she held him back from leaving - one way or another - he did not want to, she LITERALLY compares Circe with Calypso, - yes he uses a stronger word for Calypso (here "kept" vs "detained") than for Circe, but it is still not willingly that he stayed.

He would not have brought up Circe alongside Calypso if her affections had "wanted". It's wild because I read the Odyssey and kept thinking "Y'all are calling the sex slave a cheater? The guy who slept with a goddess to get his men back? The ultimate simp apparently doesn't love his wife??"

Things I'm adding that shouldn't affect the argument as it is not in the Odyssey but I want to mention as it's a "fun fact": Odysseus' dad was an Argonaut. Laertes probably met Circe as well, (or knew of her) with the whole purifying thing and maybe Odysseus heard his dad tell stories of her. Later myths also have Circe with the habit of turning her crushes (or their lovers) into something with Scylla and Picus.

In conclusion, Yeah, he was afraid of her. At least to an extent. And don't pull the whole "Ancient men didn't get raped". Male victims exist and deserve compassion for what was done to them and women are capable of sexual abuse. If you think otherwise, you are not a true feminist and Fuck you. I said in the beginning this'll be casual and I don't wanna write a fancy ending. You can still think Circe is neat but you have to know that this was fucked up.

If you think a lot of this is bullshit or wanna give more context or wish to yell with me but still know he wasn't alright on Aeaea, cool. If you want to point out mistakes or something I should keep in mind with interpretations then feel free to say so but give text evidence. If you try and bring up the Telegony and/or Madeline Miller's Circe, fuck clean off. This is Homer. If you call Odysseus a whore and not the malewife he canonically is I'll start biting. 😤

[amebanworld]

So, here we are. Finally I’m dropping by to share something I’ve been pondering. I think it's about time to speak about this openly.

You know, I've been a TF fan since my childhood, since I saw G1 Cartoon till now.

But since I'm not a native English speaker and the TF TV series have been aired irregularly at my country, I just haven't be able to follow all series when they were broadcasted. I just wasn’t able to watch all of them. I'm not interested in every single series though, just in some of them. Same happens with comics and movies: seriously I like to think Bayverse just didn’t happen.

So I’ll will tackle the series/comic sI’ve watched/read only, and not every Screamer incarnation.

Let's start…

In 80's (and earlier) cartoons, it was quite common that one of the main characters was bashed by other characters under the premise that "this chara is problematic b/c he thinks different from the others, so he must be punished". As crazy as it sounds, this was encouraged by parents supervising children cartoons’ morality. That's why Eric (from the D&D cartoon) or Rudy (from Fat Albert) were made fun of, and that is what’s happening with G-1!Starscream. Yes, I mean the regular bashing he suffers by almost every other character in the series, and mostly from his leader, Megatron. Also, this was encouraged by the idea of "Hey! They're just aliens robots! We can be harsher with them since it isn’t an average cartoon for kids." And that's how it begun.

Since the G1 cartoon (and its comics counterpart, although the mood is quite different), Screamer has been portrayed as “selfish, a disloyal second-in-command, a coward yadda-yadda", but he also has been portrayed as somebody who endures punisment from almost every other character regularly, and mostly from Meggs, as I said before. This pattern repeats itsel over and over in all TF series, no matter the plot or the setting.

Despite being so popular, most of the fandom think that "he deserves it b/c he's a traitor", or just like it as a slapstick comedy. However, over time, and since certain series and comics have more serious plots, this issue was interpreted under a different perspective by older audiences.

Starscream, no matter the continuity, suffers from PTSD and is victim of abuse.

And I fully agree with that.

Over the years, I've met many fans (female fans mostly, perhaps b/c they usually have this kind of sensibility) who loved the character and felt bad for him because they identified with him on a personal level. I've met veterans too who indentified with Screamer. Both of them just felt really uneasy about how he’s treated in comics and especially in the series. Of course, there’re many fans that just think this is nonsense and don't agree with it. However, invalidating the opinion of these other fans and brush it aside as "nonsense" means to ignore the victims of abuse and their suffering too.

So, what do I mean with "victim of (domestic) abuse"?

First of all, it doens't mean just abuse from your romantic partner, but also from your parents or relatives, from your boss, your classmates, etc. The thing is, all that applies to Screamer. Unlike other characters that just attack him during battles and such, Screamer is punched many times till almost dying by Megatron. He’s also insulted and invalidated. There’s some examples of different continuities below.

The dynamic of abusive relationships is very complex, but in all continuities we can find the same pattern: "The victim tries to flee and does something careless, then he's caught and punished by his insolence". The problem is that the victim is also a traitor and a liar, and certainly he's not a saint. Plus the abuser keeps him around still.

Why?

Summing up, it's a vicious circle. The victim thinks he "deserves" to be punished, but since he wants to be free, he behaves carelessly and paying no heed to loyalty so as to “deserve” that punishment. Meanwhile, the abuser seeks to blame (and punish) the victim from his own faults. Then, when one makes a move, the other behaves accordingly. Meanwhile there’s also calm moments where things “seems” fine. That's why Meggs and Screamer seems to get along "nicely" when nothing happens.

Eventually, the victim copies the abusive behaviour, becoming also an abuser. This is quite obvious in the TFP continuity, where Screamer does the same things to KnockOut.

Of course, the abuser is guilty, but the victim has his own faults. Usually, these people suffer from PTSD and develop a nasty behaviour towards others. They become selfish, demanding, disloyal, etc. This explains why Screamer behaves as such with almost everyone in all continuities. Usually, the victim isn’t aware (or just doesn't want to ) that he's into an abusive relationship (no matter what kind), so he’s just seen as being disloyal, stupid or something like that. Usually, only people who have suffered abuse, or are close to an abuse victim, are aware of this problem, and of how hard it is to break the vicious circle and break free.

Many fans were aware of this problem, and some years ago a bunch of them decided to let know their feelings about SS to Hasbro, so they send the company a long letter, thanks to @tyrantofthefirmament You can read their letter HERE.

And how did Hasbro answered?

I guess they get a lot of letters from the fandom, and that their marketing team will be well aware about the fandom opinions at least now, b/c it's kind of obvious that the later comics and series portrays ideas that were born in the fandom. Anyway their answer to that letter sounded like "We're glad to heard from you. We'll think about it someday. Thanks!"

And that’s whay they did on the later series, it seems.

Let's check it…

*TFP: SS is written so randomly here. First, he's a serious threat; in the second season, he breaks free and joins the Abots or is just on his own (the best part), and finally, in the third season, he joins Dcons again, and Meggs punches him for any random reason. Finally, he dies.

*Armada Trilogy: he's written as a tragic character. He ends up being a hero and dies saving the day on the first season. Later on, he's resurrected as a zombie with no memories. Finally, in the 3rd season, he becomes… what the heck?? He doesn’t seems to be the same character!

*War for Cybertron Trilogy. Well. Here, he's closer to his G1 Incarnation, despite he wasn't a scientist and he was under Jetfire's command till the white jet joins the Abots. The same tropes are repeated, till Blacharacnnia teams up with him and he meets Unicron in a Lovecraft- like scene. Afterwards, the writers got wild and gave him the arc to be an anti-hero, warning everybody, who actually barely believe in him. At least, the writers tried here to give certain credit.

Starry meets Cthulhu... eeer, Unicron.

*IDW comics. Perhaps the most developed incarnation. Here, the problems of abuse and trauma, along his faults in the GreatWar, become an issue that must be solved. He becomes a Cybertron ruler, makes a friend (Metalhawk) then kills him… and later, he regrets it a lot. Bumblebee appears to him as a so-called hallucination and befriends him (his only friend is out of his reach). WheelJack has a soft spot for him, but this isn’t enough. Then, Windblae appears, who is oblivius of the Cybertronian war. And well, things happen and he isn't disloyal anymore and learns about his true self, which will cause his ultimate sacrifice. Perhaps this is the only series where his fate is different.

Bee facing Screamer in what seems to be his own hallucinations...

*EarthSpark. These series tries to mix up G1 with IDW. War is over, the Earthling TF are born and Screamer is jailed in a corrupted human facility, till he manages to break free. At this point, an Earthligh TF, Haghstag, knows about his trauma and helps him. The whole first season deals with Dcons as people with his own lifestory and traumas, and how important redeption is. Starscream fits this plot…

Haghstag and Screamer... and he's smiling.

Till the following seaons where the writers just ignore everything and they come back to the same old plots again and again in a very creepy way.

The thing is, Starscream nor talks about this with others, neither uses it as an excuse for his behaviour towards his companions. That goes against the Decepticons ideals, but also that would make him to look "weak", or he just doesn't want to admit it despite his pain. Dcon's are usuallly portrayed as horrible people, after all.

Anyway, the fact is Hasbro and their writers just don’t dare to tackle a character arc to give him some reliable background or credit. They show some hints here and there of "perhaps he's victim of abuse/he suffers PTSD", and later, they brush him off. This is kind of obvious for every continuity discussed here.

So why? I just don't get it. And that's why I find this is a problem. I just don't want to see the same old story again and again, with a character that is basically a punching bag on one hand and a baddie on the other. (Skybound comics aren't included here since it's an ongoing series by now and I haven't enough info by today). If the writers dared to write a redenmption arc for Megatron. Why not for Starscream?

(Special thanks to @sandalwood03, who edited my broken English into something nicer).

[1-up-chump]

Thinking about my hc for Erik and Charles sexuality (and by extension juggernaut's sexuality by proxy) so let me dump my thoughts here

And it should go without saying but common courtesy isn't so common: this is a personal HC and interpretation of the characters, if you do not like it then you do not read it. Simple :D

So charles never got a chance to explore his sexuality but he did learn about gayness from his step brother cain. however cain's father, and charles stepfather kurt marko, was wildly homophobic and instilled the idea it was wrong and gross on every level. With kurt already harsh on cain, cain projected his internalized homophobia on charles. And charles learned to never bring it up again since this angered his brother more than anything else cain already hated about Charles. Unfortunately this instilled a subconscious uncomfortable feeling whenever charles brings up his own desires outside of "whats socially acceptable" and has yet to mentally unpack that

Meanwhile Erik was in that "i kinda always knew but never met anyone else that bothered me to let me explore" kinda way. Although due to his circumstances he wasn't exactly afforded to explore since he was

Trying not to die

Trying to stop humans killing mutants (at any cost)

Trying to not let grief fueled rage consume him (failed)

So when he met charles he finally was comfortable enough to "test the waters" but due to charles being an idiot with his own emotions Erik initially thought he was straight. And yet charles keeps leading him on with the most homoerotic conversations and chess matches ever so it confused and lowkey pisses off Erik. It keeps him guessing if Charles is gay or just really affectionate. But it still sparks their relationship even when they're "enemies"

So their relationship, despite having chemistry and passion so strong it makes an atom bomb pale in comparison, is so slow burn it's a detriment to them (but mostly everyone else lol)

Charles "oh im not straight" moment literally happens in the most mundane of circumstances when he's lost in his own thoughts one day. And when the realization hits him he panics and tries to shove it back down but its not going away now its out. So the next conversation he has with erik is "testing the waters" and in this moment erik wants to strangle charles harder than he's ever wanted to. But after this moment of, not really a confession but more so of a "hey our relationship is complicated but tbh lets just make it official bc why tf not"

[fuckinfreddie]

and y'all will be like "that doesn't make sense if he doesn't care abt his kids why would he do any of this" like BC HES CRAZY? HES A WEIRDO...... there doesn't need to Be a reason ok WHY are we always asking the whys abt this man when he's only ever asking himself why not

smth y'all that are fnafers w/ me need to understand abt me is that i do not subscribe to the whole 'william kills charlie and does literally everything he does bc he's just sooo boohoo about CC and wants him back so bad' theory lmao......that man does not give a fuck abt his kids he's just obsessed with one-upping henry and when CC died he took the opportunity and ran with it bc they are accessories to him

[meelkiewee]

Hello!

As a first post i wanted to share my favourite bubbies and since tumblr seems more text oriented than the other socials I have, I'd like to explain what was going on in my head while doing their character redesigns~ [BOOKS SPOILERS MENTIONED]

INTRODUCTION

These character designs were made back in winter 2022 for a sort of animation thesis. Many things didn't go according to plan in that school year so for lack of time and motivation I've never really finished the animatic but I will include a wip at the end of this post. The animatic was about my interpretation of their story, finding a person to call home while in a crude and terrible world.

XIE LIAN

Xie Lian is the first of the two I made, his character design was very clear in my mind since the start. It's not largely distant from your official usual XL but I thought it already fitted very well.

The three main colors for XL are white, black and golden yellow. The prevalence of black and white colors was inspired by two main factors:

I personally see XL as a heavily dichotomy based character, not only in the association to the White Clothed Calamity but also in the way he's described as pretty as a flower but skillful with the sword, following a chaste path but mingling with a ghost king, all kind smiles to others but struggling with his own hope, etcetera, etcetera. He is in a constant struggle to find a third option that is better than simply bad or good, mostly in his early God's days, and also later on with ‘not knowing whether to laugh or cry’. So in here, black and white represent the reality of human nature, where you have bad and good qualities alike, a concept I think XL struggled with a lot since he was brought up as the perfect and pure prince that can do no wrong.

According to my research of the meaning behind colors in the chinese culture I discovered black and white can symbolize many things, some of which I found quite fitting for where I wanted to go with my character design. Black can stand for sadness and bad luck. White represents brightness, purity and innocence. In some instances, however, white is also associated with death and is a color commonly worn at funerals. Moreover in my own culture black and white, along with deep blue, are very elegant colors to wear. Simple and elegant is what my XL wants to look like.

Another important part of my XL character design is his bamboo hat.

Following some good old christian imagery I used his hat as an halo. Most of the time I even ignored perspective to make sure his head is always framed in this golden saintly circle In my animatic storyline specifically it represents XL perfection. Soon the hat is lost in the mud and brought back later on by HC with a new meaning of finding yourself in a safe environment with safe people. 

For most of the other design choices I took decisions based on pure aesthetics such as giving him a very elegant mole under the eye, very long and lucious hair and a very very long hanfu with some very very long sleeves. Yes, I wanted him to be very very everything because I very very love him!

Here are some other very very outfits i drew him in for fun and didn’t need for the animatic:

_____________________________________

HUA CHENG

As a premise to my HC character design I want to say I am very amused at people’s different reactions to it. They are usually neatly split in two: either they hate it with a passion or just fall head over heels in love with it, no in between. I personally am in the ‘love it’ side (duh of course I am, I designed it lol) but I also understand if your first thought is “WHO TF IS THAT?”, so let me explain my thought process here.

Firstly, hot take: official HC character is made to be your perfect cool-hot-mysterious-boyfriend™ that has it more together than you do and we don’t like that in this household, at least not always. Yes he is XL’s most devoted believer, yes he is a very powerful supreme, yes he’s always there for his Gege but in the end he’s also a very traumatized person that has had a crush for a guy for 800+ years.

What I’m saying is I wanted him to be a little more relatable and goofy than what books show us so I integrated some of his personality hidden away in E’Ming. From here I got the puffy messy hair, the big round eye and the doubtful expression.

Next up let’s talk about the palette. He also has, like XL, three main colors:

Blue. Mostly of the time he spends around XL he does it in his true form, wich is the form of a dead person (even dead more than once;;). This is pretty self explanatory, when someone dies the hue of their skin goes to blue and also ghosts in general are frequently represented pale blue or white in color. As a little side note to this, I really enjoyed the blue demons HuaLian episode in donghua S2, it made me feel less alone in my smurf choice lol.

Red. This is canonically HC’s color and rightfully so! Red is widely recognized as China's color of good fortune, and in my culture, it is frequently used as a symbol of passion and the color of blood. There is really nothing better than red for Mr. Crimson Rain!

Lilac. Although I'm not sure about my research on this color in Chinese culture, I've read that it modernly represents love or romance. However, growing up in my hometown, purple (and all its shades) was always associated with ugliness and was thought to be a bad omen if worn. Whoever had the nerve to wear it was regarded as a distasteful and ominous weirdo. I think it fitted perfectly with how every other Heaven Official other than XL sees HC; someone who makes blood rain for fun and a potential and actual threat to the Heavenly Court.

As for XL, other choices I made serve a mostly aesthetic purpose. HC’s boxy build, pointy ears and the opened robe to see tiddies(🤩) are some of the notable ones.

HC would not be complete without E’Ming, obviously. After comparing some different blades and trying to integrate a butterfly in the design, I opted for keeping it simple and I ended up with this wobbly shaped hilt made to resemble HC’s bang. The fact that now E’Ming looks like it has a big nose is just an added charm honestly.

CONCLUSION

Thanks for reading until this point I hope you enjoyed my yap and make sure to have a nice day/night! <33

I'll leave the link to my animatic wip here, please note once again that it is not finished in the slightes and there are also some funky expressions that don't really fit the mood lol enjoyyy!

-Sole

[bunnidot0rg]

I’m sorry but that awkward interaction between Allan and Charlie is just…I know it was meant to be funny but it made me cringe in a way where I didn’t find it funny cos I thought the original scene in season 1 was cute but damn I guess not now. Like it’s still a funny bit with the surrealism and shit but yeah that’s just me.

ALSO!!!! This isn’t a critique, just me rambling, IT GIVES ME THE VIBES OF LIKE when an autistic or neurodivergent person does something that’s considered strange and weird or they don’t get boundaries, and then they get chastised and berated at for it. And they genuinely don’t understand. I’m sorry but that and the implication that Charlie has kinda been avoiding Allan because of what he did is actually destroying me like ohh my God I’m sick to my stomach.

LOOK AT HOW APOLOGETIC AND UPSET HE LOOKS OH MY BABY

Also I spoke to my friend and she said people over on TikTok because of course it’s people over on TikTok are saying that this scene is connected to male assault victims and yk media can be interpreted however tf you want but. This a scene about a critter sucking another critters nose. Idk it’s just making me mad that people are insinuating there’s more to what is supposed to be a funny scene. It’s smiling friends you guys! Not fucking…Bojack Horseman. Please be normal. Christ!

[daemon-in-my-head]

I'm gonna be real with y'all. We don't actually need canon durgetash or more Gortash content.

What we rly need is to hype up each other about their creations regarding this train wreck of a man. Encourage ppl to speak their truths and discuss in detail, but respectfully, what kinda shit that guy pulled. However many ppl in this community sharing their inputs and personal thoughts is gonna render much more creative and simply just more options nd output and things to ponder as you reject smooches, which is far more fun anyway.

Atp any new content will be used for someone to moan and bitch and dog pile another person about their takes, interpretation and/or their creations.

The character is done. The story is done. Whatever 'new content' they'd throw in would just be pure fan service and 100% used against fans by other fans.

So instead, just appreciate and hype and enjoy and share with fellow brain rotters and curate the experience you want and a space that a fandom can thrive in.

It's close to a year since the character was released. I'd much prefer the creators to show their backbone by sticking to their interpretation and we can run with it as much as we like without their intervention and 'correction'.

Also mods are a thing, and bg3 has a bunch of very great and talented mod authors who share their creations for free and allow a much more 'personal' experience with the game anyway. Who tf cares what you do when nobody's looking and it's not breaking some laws.

[cezqstar]

haven’t been active in the rykter fandom in awhile, but i’ve seen quite a lot of opinions floating around on here & twt that i had quite a lot of thoughts about!

someone said the show is queerbaiting… and i genuinely cannot believe how anyone can see a character figuring out his queer identity and only see the matherik ship & dumb it down to queerbaiting.

edit: i want to clarify this part i said on queerbaiting because i didn’t articulate my thoughts in depth. at the end of season 2, mathias initiated a kiss with erik ultimately implying his queer identity. and his season 3 storyline has confirmed him as a queer character, who is crushing on erik & struggling with acceptance whilst getting bullied by his ex-best friend. however, erik’s pov is open to interpretation, which leaves a lot of space for fan theories (that i eat tf up) but at the moment, that’s all they are. fan theories. erik’s actions can be interpreted as both platonic & non-platonic, and i don’t see the show dangling matherik in the audiences faces. since they’re very focused on mathias’ story and his perspective rather than erik’s. whose own story seems to focus on him hanging around the wrong crowd and his questionable behaviour. it leaves the storyline open to go down two very different routes: erik could have his own queer realisation and the two of them eventually end up together. or mathias’ has unrequited feelings for his straight (or aro 👀) friend but those feelings helped him with his own queer journey to acceptance. and i think with how they’ve set erik up, it could genuinely go either way and make sense.

^^ that’s why i believe the queerbaiting claims are a stretch.

it’s become very clear why people began watching rykter: matherik. but people NEED to remember that the show is not solely about them. it never has been. this show is about the chaotic lives of ‘sheltered’ (i can’t think of the word i’m after) teenagers who all have the capability to be stupid, immature and selfish. which yes, includes felix as one of those characters and yes, includes erik as a teenager capable of being a bad person at times.

these teenagers are also all (well almost all) capable of redemption. mathias has proved his own ability to be redeemed after his s1 antics, erik will surely have his own redemption path regarding his current s3 antics and thea is currently having her redemption this season. just because erik has been generally good in the first two seasons, doesn’t mean he isn’t prone to poor decision making & shitty actions. remember: they’re all 15-16 years old.

i’ve seen a few people suggest that the rykter writers are ‘getting off’ on or ‘enjoying’ the homophobic abuse that mathias has been subjected to, but i think that’s a massive stretch. and an extremely poor outlook on the shows writing in my opinion. many people forget that even though norway is a progressive country that homophobic shitheads still exist. and the way mathias is being treated by someone as horrible as felix & no one saying anything due to being ‘sheltered’ followers is quite real.

and when someone as jealous, hateful & spiteful as felix who clearly puts up with his own share of prejudice gets to put someone else down (someone who he also feels ‘betrayed’ by), he’ll jump at that opportunity in an attempt to make himself better and stronger. from victim -> perpetrator. i understand the frustration around this season focusing on felix quite a lot but people need to stop seeing his storyline as ways to ‘excuse’ his actions and moreso to explain them & simply SHOW his life. they seem pretty hellbent on showing you that he’s a shitty person regardless of his home life & personal issues.

anyways rant over! time to disappear again lol. feel free to disagree with anything i said. always happy to have a discussion!

[evergreenalice]

I'm going to do something controversial

and defend Paris of Troy (well... sort of... he's still a dick, fuck that guy... but like... also in a very unenviable position)

reminder, there isn't really a mythological "canon", I do not intend to deliver to you the 100% canon accurate interpretation of the story of Paris, because there is no such thing.

Moving on, Paris' situation was kinda fucked, and I think there's some interesting things to be said

let us first explain who Paris is for those unaware, most of what I'm about to say is recounted in PseudoApollodorus' Bibliotheca

Paris was born to Hecuba and Priam, queen and king of the city of Troy

before he was born his mother had a nightmare that she would birth a torch that consumed the city in flame, and it was decided that this meant her son would bring the downfall of Troy

they wanted to kill him, but the guy they had kill him chickened out and chose the human option... of leaving him in the wilderness to die, as one does. You know what they say, if can't use Plan B, Plan C it is.

now luckily (or rather unluckily) he survived, and came to be raised as a shepherd. Interestingly according to Ovid, and I believe nobody else, Paris actually was a slave during this period of his life, though it makes sense, many abandoned children did get enslaved, to my knowledge, this was especially common in Rome, so this may be Ovid viewing this through a particularly Roman lens here.

According to PseudoApollodorus, Paris was pretty cool in his childhood, getting the name Alexandros, "defender of men" for being cool, and fighting off bandits and shit.

Eventually, through details we sadly lack to my knowledge, Paris fell in love with a nymph, Oenone. Sadly, there's not a ton attested about her, but what we do have seems to portray a genuinely positive relationship, though Oenone prophesied its eventually end due to the love he would develop for a foreign princess which would be his undoing.

moving on to the famous Judgement of Paris. Hera, Aphrodite, and Athena appear before the young Paris, and ask him which goddess is the most beautiful, and each offered him something in return for his answer being them. I want to note... there was no good answer here, I've seen people say "well [insert answer] would've been better." there wasn't a good answer, it would always have pissed off two of these goddesses, and also most certainly lead to Paris' and Troy's downfall, because that is what the Fates foretold, you can't just get out of a prophesy, any action would just lead you back to it.

In many ways, his choice of Aphrodite for the hand of Helen is actually a really genre-savvy answer from one perspective. He's promised power, glory, or love, and he chooses love. In many stories this would be the right answer, forsaking those other things for what really matters, love. Of course, this ends up being bad because... well first of he's cheating on Oenone, and, oopsies, Helen is married, and anyone who kidnaps her is going to be invaded by basically every Greek!

Thing is... did Paris know this? Did the shepherd/maybe slave know who tf Helen was? Realistically no. It's very possible in this situation to with no context, think, "Oh the last one seems like the least likely to blow up in my face."

as for the cheating thing, let me remind you... Aphrodite is the goddess of love, her retinue, the Erotes were generally believed to be able to overcome people with immense romantic feelings

In the Fall of Troy by Quintus Smyrnaeus, Paris tells Oenone as he dies, that it was not of his will that he abandoned her

now, the easiest way to take this is Paris is begging for his life, and is trying to present himself as a victim to evoke empathy to convince her to help him

however... considering the gods involved... yeah no it's possible he's being genuine here

In Ovid's Heroides, Oenone says this "Your tears fell as you left me – this, at least, deny not! We mingled our weeping, each a prey to grief; the elm is not so closely clasped by the clinging vine as was my neck by your embracing arms." which certainly strengthens the idea that Paris was heavily conflicted but moved by divine will

admittedly, I don't have much else to say, but idk, just some interesting things I don't see mentioned that often in reference to Paris (I also learned that Ovid called him a slave once? I did not know this, I learned this while looking for sources, oddly I've never seen anyone talk about this, I'm more interested in this now than anything else, like, I know it's just one line, but damn now I'm really curious what stories Ovid had access to that are today lost that made him say that.)

oh yeah also, you're welcome for siting my sources, because so many other sites I found talking about Paris that I read as a refresher, just didn't have sources, not even Wikipedia for a lot of that! I'm still mad about that so I made sure to mention my sources, if anything due to being petty and wanting to be better

[devotioncrater]

"i'm not gonna say anything. i'm just gonna walk into her office and i'm gonna kiss her"

now why tf did house look down at his desk and start stammering and blushing after wilson said that 🤨 "cuddy likes bold" but he does too ??? arguably more than her ???

wait no pause. actually. that entire conversation he's soooooo hyperfocused on what wilson would do. almost as if he's envisioning himself in cuddy's shoes. he also like. keeps looking at the table, looking at wilson, looking at the table, looking at wilson with an expression that's expectant. he thinks wilson will connect the dots. holy shit.

he wants wilson to connect the dots. but he can't...he can't admit it to himself. so he role plays as cuddy. he hides behind this made-up, fabricated version of reality where wilson's got a crush on cuddy. it's perfect because the only other likely person wilson would go see that play with is cuddy.

after the play, house asks for the dirty details yet 1) gets frustrated at wilson for not sticking to house's own script of Going On A Date To A Play = Sex. and then 2) gets jealous at the thought of wilson having sex after the play with the real cuddy instead of him.

there's mixed, complex feelings written all over the wall here. on one hand, house wants wilson to fall into bed with cuddy because that means that by extension from fabricating this entire thing, wilson is actually falling into bed with house who is merely role-playing as cuddy. fantasy gaga. "i'll miss you. you were a good friend." = the nature of our relationship has changed.

HOWEVER on the other hand, house can't stand the thought of wilson falling into bed with cuddy because it'd be Too Real, Too Literal. it'd be wilson having real sex with the real cuddy and — because this is wilson here — it'd be wilson having a real romantic relationship with the real cuddy. notably not with house. it'd completely fuck the fantasy up.

but house is too far gone and also likes to fuck around and find out. he knows wilson's a hopeless romantic, so he sends wilson flowers in cuddy's name. wilson interprets this as cuddy being sexually interested, which pleases house because he is sexually interested in his boy best friend.

house is overly invested in hearing what wilson's plan is to ask cuddy out after wilson says he doesn't know what "being straight" is. they're on two different wavelengths where house thinks wilson's read between the lines to figure out it was house, not cuddy, this whole time. ergo to him, wilson's "i don't know what that [being straight] is" = i'm interested in you too and i recognize that cuddy is a metaphor; i'm now knowingly playing into it.

meanwhile wilson is literally talking about the real cuddy.

house becomes clearly aroused flustered at the thought of wilson barging into cuddy's office to wordlessly kiss her. house enjoys the way wilson approaches sex & romance differently than him. i think a part of him wants a grand romantic gesture like what wilson described. "i can't stop thinking about her" / "maybe she's right. maybe...maybe this is worth exploring."

and the funny thing is, is that the office wilson does barge right into is house's office.

"you sent those flowers to me!" "yes, because you took her to a play. because actually you do want to march down there and kiss her." "no! i don't!" "yes, you do."

it's just a prank, right? it's just a retaliation, right? calling it a prank or retaliation is a rationalization to deny away how house's attraction is boiling over. he wants to explore things with wilson, wants to get rid of the "good friend" label, but he's way! too! repressed! at least to initiate it outright. so he concocts this convoluted thing just to get wilson to make the first move because, historically, wilson holds the reins in their relationship. they also, historically, work their boundaries out through pranks. why should this situation be any different?

and wilson has this look of slow, frustrated realization before he says, "you're right" because he knows house. wilson is now in on the metaphor, so he admits that he does want to kiss metaphor cuddy.

but when house's face falls, "seriously?" wilson goes right back into The Status Quo "no" because as soon as the metaphor became Too Real, Too Literal, it shook house out of it thanks to his jealousy. that, and maybe wilson — Dr. Comphet himself — got cold feet, too.

they're ships in the night. when one of them is in on the metaphor, the other isn't. house knows how to woo wilson, wilson knows how to woo house. and yet they can't!!! ever!!!! admit it at the same time!!!! house pulls on a push door; wilson pushes on a pull door; the door doesn't open

[daezedglownut]

I thought I’d already found all the possible little hints in XI that Sylvando/Sylvia is trans-coded.

There’s the throwaway party chat line at the French private school:

Ah, to travel from place to place collecting mini medals, learning all about the world and blossoming into lovely young ladies! The students of this school are so lucky!

If we find any mini medals on our travels, we should bring them back here right away so that we can blossom into lovely ladies too! Wouldn’t that be wonderful, honey?

There’s the fact that Sylv in Act 2 bends down to pick up items in the exact same way the girls at the academy practice with mini medals, echoing the statue at the gates of ‘La Collectrice’ - “an elegant young lady picking up a gold medal in a distinctly dignified fashion”.

Very demure. Very mindful.

There’s also the name angle to consider. Though it could be argued that if you leave home and don’t want news of where you are getting back to your dad, you’d probably go by a pseudonym or a stage name. So I don’t think that Sylvando/Sylvia not going by Norberto is a very strong piece of evidence at all.

Adding to that, the fact he ran away from home could yet be seen as a gay young man running away because he didn’t feel accepted at home. But it could also be a trans character doing the exact same thing, so I’d say it’s still very plausible. Not to mention Sylvando inadvertently following in his mother’s footsteps during Act 2 with his gang of gay little ducklings, as mentioned by the Ringmaster is actually a really cute detail, however you want to slice it:

I saw her when I was just a child. She was simply the most incredible performer… She led a parade of people out of a kingdom destroyed by monsters, and on to a new home and a brighter future. And she kept them smiling from start to finish! You can’t imagine how inspirational it was for those of us who were lucky enough to wave them on their way.

You remind me of her, you know. The look on her face as she proudly led all those people out of danger, spreading joy and laughter wherever she went…

Then there’s the fact Sylvando/Sylvia goes by female pronouns in the JP version of the game. Again, not concrete evidence based on the fact that “extremely flamboyant gay male characters” in JP media are often (sadly) treated in the exact same way, reducing them to a comic relief sort of “hodgepodge mix of everything queer” Okama stereotype. This doesn’t erase their cisness or their homosexuality. But I can see why from a western viewpoint it might seem like really strong evidence of their transness when it’s something particular to Japan that got lost in translation. The closest comparison I can think to make to “make it make sense” is in the west where gay femme—but entirely cis—males call one another “she” and “her”.

However, I found what could be the most concrete “HEAR ME OUT” evidence completely by accident:

Boxer shorts are a common suit of armor in the Dragon Quest series. They are generally considered a gag piece of equipment notable for their low defensive properties and they can only be worn by male characters.

And wouldn’t you know it, only the Luminary, Erik, Rab, and Hendrik can equip the boxer shorts in XI…

I checked.

Now. I don’t want to say this is canonical or 100% proof by any means. Sylvando could just be a flamboyantly gay man who has too much self respect than to be seen dead in those striped monstrosities. After all, I can’t imagine someone like Jasper would deign to equip them either lol

What I love most about Sylvando/Sylvia is how open to interpretation the character is. I’ve seen so many conflicting theories that are all written beautifully, and all hold merit. (I myself enjoy dabbling with how I interpret the character depending on the needs of the story I’m writing, and whatever tf my gender is doing on any given day…)

And the best thing about Sylvando/Sylvia is the overwhelmingly positive reception to the character from fans. How Sylv could’ve been a cheap throwaway gag without substance, yet arguably became the character who ‘stole the show’ at every turn and got some of the best storylines.

In the end, I didn’t want to save the world for the rest of Erdrea - I just wanted to do it so Sylv could go home and make up for lost time with his adorable, crotchety dad! 🥺💕

[for-a-longlongtime]

JOIN US for the Triple Frontier 5th Anniversary Write-A-Thon!

Hosted by @romanarose and @for-a-longlongtime

Hello everyone!

March 13th 2024 will be the 5 year anniversary of Triple Frontier, a movie that was underrated but very precious to us all. Whether Frankie Fridays rock your world, you're a Benny kinda-person, you've got a thing for Santi, or are counting everything all the time just like Will - there are so many of us.

Charlie Hunnam announced recently that there is potential for a sequel; he is trying to get it in production and has signed on as a producer. Do we want this? HELL. YEAH. Let's be real, we've probably all thought about how that would go. So @romanarose and I wanted to drum up a little extra excitement all over the place and spread some love for this movie that many of us have watched so many times! (Probably every week. I have no shame admitting this.)

Here's what's happening

It's super simple: create a fanfic of Triple Frontier, any way you like and with any characters you want. Most people will be inclined to write a story, but we always greatly welcome other artistic interpretations. We've listed some content rules below just to make sure it's fun and accessible for everybody, so please check it out. This is for both art and fanfiction. We encourage you to utilize Twitter or Instagram if you’d like to share either, and #triplefrontier or #triplefrontier2019 on any site you post on! Even if you don't plan to participate, please feel free to share this (or other) posts.

Please note you do NOT have to write a 'sequel' to TF; any fic with any Triple Frontier character will do, in pretty much any situation. A 500 word ficlet will be awesome, as will a 20K story, a painting or digital art be!

🏳‍🌈 We are highly encouraging LGBT themes and for you to think outside of x f!reader. 🏳‍🌈 

👉 If you are writing reader insert, we strongly encourage you to encompass a broad scope of readers if you aren't going to specify the demographic. 👈 (FYI, @idolatrybarbie made a great, important post about the need of inclusive reader inserts a couple of months ago.)

All fics that fall under the rules are encouraged, so if you write Santiago Garcia x afab!f!reader, that’s great! But we’d like to take this time to encourage gay/bi pairings, trans readers, gender neutral characters or readers, or even trans interpretations of the boys. Branch out!

🚨 When you post, PLEASE tag @triplefrontier-anniversary on Tumblr and we will reblog it there. We also may reblog onto our main. Please follow that page to see what other people are writing! In the tags, please tag it triple frontier write a thon, just to make everything easily found.

If you want to post art that Tumblr doesn’t allow things like nude art, link the content in a Tumblr post, like a Twitter link, and we’ll reblog that!

If you exclusively write on AO3 or Wattpad or other, you can either make a link on a Tumblr post and tag us. Or message @romanarose privately and they’ll get this set up for you so we can reblog.

Triple Frontier Write-A-Thon Rules

We will run from March 1st to March 14th. Fics and art posted before or after will not be counted - we're trying to keep things manageabel!

This is not a dark event, sorry! Some of us enjoy dark content but wanted to keep this particular event mostly non-dark. That being said, we will allow dub con in the context of mild alcohol use, power dynamics etc. Nothing cooercive, anything sexual should be done with consent. Mostly we are looking to avoid non-con/violence. If you have questions, don’t be afraid to reach out to us!

All participants must be 18+, although smut is not required

No incest, including Millercest. No underage content, no grooming, no - do we really need to list it all here? Again, this is not a dark fic thing.

We have the right to exclude any fic that makes us uncomfortable. It’s our event.

However, we will NOT be excluding people for personal biases, unless it encroaches on our boundaries. This event is to promote Triple Frontier, not about us.

LGBTQ+ characters and themes are highly encouraged, not required. Any fandom thrives when it's inclusive, so we want to explicitely welcome and encourage authors to be themselves and write what they want! Or perhaps even try something new, if so far you've only written P boys x f!reader/OFC.

Tom is allowed. We’re not gonna tell you not to include him if that’s what your little heart desires. However, we highly encourage that your work includes at least one of the usual four guys.

(We don't know WHY you would want this but but FINE. If you must...)

We hope everyone has fun and that this will drum up some more Triple Frontier fics! It's just a fun little thing we want to do in order to celebrate all of you as authors, artists and the movie/characters that have made such an impact on many of us.

Once we start reblogging your entries at @triplefrontier-anniversary starting March 1st, remember to reblog and comment to support artists!

Please come to @romanarose or me with any questions!

PS: Just to make sure there's no confusion - this write-a-thon is explicitely about the Triple Frontier characters, so there's no RPF.